In Track Bounce, which option can you specify?

In Track Bounce, which option can you specify?

• A. Only filetype
• B. Only sample rate
• C. None of the above
• D. Filetype, format, sample rate, and bit-depth

Answer: (D)

Output parameters tell Pro Tools how the final rendered file should be encoded. In a Track Bounce you can control multiple technical details of the output, including the file type (such as WAV, AIFF, or MP3), the channel format (mono or stereo, and other multichannel possibilities depending on the session), the sample rate, and the bit depth. Because you can specify all of these aspects together, the best choice is the one that lists all of them as adjustable during a bounce. For example, you could bounce a stereo track as a 44.1 kHz, 24-bit WAV, or export a different format and bit depth as required by a deliverable. The other options, which restrict you to just one attribute or none, don’t capture the full capability of Track Bounce.

Output parameters tell Pro Tools how the final rendered file should be encoded. In a Track Bounce you can control multiple technical details of the output, including the file type (such as WAV, AIFF, or MP3), the channel format (mono or stereo, and other multichannel possibilities depending on the session), the sample rate, and the bit depth. Because you can specify all of these aspects together, the best choice is the one that lists all of them as adjustable during a bounce. For example, you could bounce a stereo track as a 44.1 kHz, 24-bit WAV, or export a different format and bit depth as required by a deliverable. The other options, which restrict you to just one attribute or none, don’t capture the full capability of Track Bounce.